Pick Your Favorite Pretty Little Liars Characters To See If You'd Join The Liars Or Team A

There's a real obsession at the moment with creating shows and films that are based off novels, especially if those novels were written specifically with a young adult audience in mind. We're not completely sure why this is, although we assume it's because the Twilight Saga made so much money after they moved it onto the big screen. Regardless, with so many of them out there and so many of them likely being made behind the scenes, we thought we should create a quiz that allows people the chance to think about Pretty Little Liars, a currently popular television show based on a young adult series of books.

Throughout this quiz we're going to ask you to either pick or pass on a bunch of characters from the the Pretty Little Liars television series, and based on your answers we think we will be able to tell whether you'd the liars or the A-Team. We think that we will be able to tell a lot about your moral compass based on whether or not you enjoy some of these characters.

So, are you ready to find out which group you'd be in? Think it's time to see which characters you love and which you hate? Well, we better get started then!

Question 1

Alison DiLaurentis

Now we're getting into the main characters. Sadly, this woman is obsessed with power and while she may have a lot of it, she is easily prone to jealousy. Honestly, if you have people like this in your real life, you should try and get away from them as soon as possible.

Question 2

Spencer Hastings

This woman is one of the liars and serves as a protagonist, so we wouldn't be surprised if people find her to be one of the more interesting characters on the show. Not only that, but she's a lot smarter than many of the other characters!

Question 3

Aria Montgomery

The tiniest girl in the clique, this lady is known for being the odd and artsy one. The writers were clearly looking for a bit of a kooky character, one that the more eccentric girls in the audience would be able identify with them.

Question 4

Emily Fields

If you ask us, throwing so much pressure onto a young woman who shows an aptitude for sports is probably doing terrible things to her self-esteem and personality. If you want a child that will grow up obsessed with competition over compassion, that's how you do it.

Question 5

Hanna Marin

Creating a show that is entirely based on the world and actions of a group of women is risky from a business standpoint. We wish more people would do it, but if you don't get women on your side, you risk alienating the less openminded members of the male audience.

Question 6

Ezra Fitz

As a writer, we always find it interesting to take a look at how the entertainment industry portray writers, as it's usually with grand sweeping stereotypes that we can't stand. Seriously, it can get pretty boring seeing the same character over and over again.

Question 7

Caleb Rivers

This lad is very street smart, a lot smarter than some of the more naive characters as well. He's so well known for being a sleuth that he actually spends some time as a spy for Jenna Marshall. Imagine being asked to spy for someone? Would you do it?

Question 8

Mona Vanderwaal

We're not saying it can't be done well, but if you ask us, having a character come back from the dead is essentially the same as the writers admitting they have no ideas left. Seriously, no writer should ever find themselves doing it.

Question 9

Toby Cavanaugh

If you ever find anyone abusing someone because they're shy and easily malleable, you need to call them out. Seriously, those sort of manipulators are the worst sort of people in this world. We need to get rid of them in the real world.

Question 10

Veronica Hastings

Mother to both Melissa and Spencer, this woman ended up leaving her husband after a whole host of lies he'd been telling surfaced. Let's just say this woman understands the destructive capabilities that truth can have if placed into the wrong hands.

Question 11

Noel Kahn

It was up to us, writers would no longer be allowed to write rich boys into their shows. They're cardboard cutouts of human beings. The only way to make them interesting is to subvert the stereotype and have them be giving souls with complex feelings towards their inherited wealth.

Question 12

Jason DiLaurentis

Jason didn't really have it easy, first he lost his brother and best friend, and his parents told him that he had just imagined he ever existed. And then he finds out that he has a half sister that lived right across the road. He comes back to help his family after he thought his sister was killed, then she wasn't, but his mom did die. Luckily, it turns out he had another dad, his real father (Spencer's dad). So he got two parents again? Then he fell for Aria, who clearly would never get over Ezra. So yeah, we'd pick him just so he could have better luck!

Question 13

Holden Strauss

A good way of adding drama to a plot is to introduce characters that have always known the main antagonists, as it increases the chances of finding out that they're not who they appear to be. Audiences will be watching them closely, which allows you to slip other things past them...

Question 14

Tom Marin

This man is the father of Hanna and the ex-husband to Ashley Marin. Since then he has moved onto a marriage with Isabel Marin. This marriage gives him a step-daughter, Kate Randall. Anybody who steps into a new marriage after a divorce knows a lot about skeletons in the closet.

Question 15

Alex Santiago

It's nice to have characters like this that show some high school students would rather be working towards college than messing about like a lot of kids. These children exist in the world and they're rarely represented on the television or the big screen.

Question 16

Ashley Marin

There are some women out there who would do anything to defend their children and we mean anything. This woman has proven time and time again that he daughter will not be messed with and she is willing to put herself in the firing line.

Question 17

Byron Montgomery

This guy is the father or Aria and Mike Montgomery. Honestly, he's a bit of a scumbag to be honest. Can you imagine getting your daughter to keep your extramarital affair secret from your wife? If you ever find yourself doing that, you need to take a long look at yourself.

Question 18

Dean Stavros

This guy used to be a drug addict, which arguably makes him a perfect candidate to become a drug counsellor, which is why he is hired by Spencer's parents. They want to make sure that she isn't taking drugs after her time away, which we think is pretty good parenting!

Question 19

Ella Montgomery

Being a show primarily about women, it's no wonder that that it focuses on the mothers of the kids involved just as much as it does the kids. They've got their own dramas and narratives which flesh out around the young girls, even mixing up from time to time.

Question 20

Sydney Driscoll

One of the problems with adding newer characters in at a later date, when shows have started to move on from the foundations where they began, is that you don't know if audience will like them or rebel against them. It's definitely worth the gamble, but it definitely is a gamble.

Question 21

Sara Harvey

Choosing to have a supporting character to an antagonist can be a difficult thing to do correctly. Seriously, if you're not careful you just end up with this ridiculous character, almost as if they're this little sidekick to the main villain.

Question 22

Sabrina

In the modern world, it's important that we fight against stereotypes that have been plaguing the entertainment industry for decades now. Sure, some of them are more important than drug use, but it's good to see a nice and complex character using drugs!

Question 23

Elliot Rollins

Look, we know that these shows are supposed to be dramatic and fantastical, but having a doctor have an affair with one of their patients while they're in the hospital is horrible. It makes light of people who have had to got through this misuse of power in real life! He was also a terrible person, so it kind of makes sense.

Question 24

Gabriel Holbrook

The police and other forms of law enforcement are regularly portrayed in dramatic narratives, as they're more likely to contain storylines in which crimes are committed. Some shows are able to pull it off brilliantly, while other fail to hit the mark.

Question 25

Regina Marin

Having a character take after a grandparent over their parents is an interesting narrative choice, as it opens you up to the opportunity of a whole host of storylines. You can have a character usurp their parents and instead side with their grandparents. Instant drama.

Question 26

Nicole Gordon

If you're going to write a dramatic narrative about a kidnapping in a different country of a US citizen, you have to be very careful. It can be easy to across as condescending and racist if you don't know what you're doing.

Question 27

Mike Montgomery

Children of divorce are so often used in a stereotypical fashion by television writers and we hate it. The concept that they all grow up maladjusted, violent tearaways is something that we need to do away with in popular culture, and characters like this aren't helping.

Question 28

Melissa Hastings

Okay, one of the best ways to get an audience hooked back into a long running show is to throw in a couple of twists. However, if those twists feel hackneyed or coming out of nowhere, you've got yourself a problem. You'll just alienate your audience even further.

Question 29

Maya St Germain

A lot of writers feel that if they include an LBGT character in their show, they've done enough work to be considered progressive. This isn't how it works. Seriously, you've got to put a lot more effort in than that! Develop the characters properly for god's sake.

Question 30

Mary Drake

Something that we must admit we do enjoy in dramatic narratives is two different antagonists playing off each other. They may appear to have a common goal, but the writers slowly pull back, showing that one of them has devious intentions that the other has no idea about.

Question 31

Malcolm Cutler

Choosing to have a child character in a show with adult themes can be a difficult thing to sort out. If the parents are any good at looking after the child, they should make sure they're being properly safeguarded against some of the more unpleasant themes on the show.

Question 32

Liam Greene

Look, we know this is because we're biased, but if you have any sort of character that is within the writing industry, we're going to be watching them intently. The way that television and film portray these sorts of jobs is genuinely interesting to us.

Question 33

Kenneth DiLaurentis

We know that writers are obviously going to want to make villains as despicable as possible and everything, but we would much rather you spent your time fleshing them out and making them believable. Even villains are complex. That's what makes them interesting.

Question 34

Jordan Hobart

Having so many characters in your show that look like this will definitely have your audience mentally turning off if they're anything like us. We know it sounds like jealousy, but nobody actually looks like this in real life! It's crazy! Do they make these people in a lab?

Question 35

Jonny Raymond

These sorts of looks are more believable. While he may have an insane jawline and cheek bones that make us flinch a little every time he turns to the screen, but he's also not got much going on when it comes to clothes and hair. He balances it out.

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